“A new generation of Yiddish punk folk singing has arrived and it is really, really good.”
— Ari Davidow
Feature: Radical Klezmer Fills Volume Two
“The band’s creative and interpretative work—covers, mashups, translations—gestures at the complicated, contested history of Jews in America.”
Feature: The ‘Joy’ of Summer: The season’s Yiddish music roundup
“Brivele breathes new life into an old labor song, weaving bright vocal harmonies around the old time sounds of banjo and ukulele.”
Feature: Klezmer’s DIY Revival Looks Back to Move Forward
“Brivele will be catnip for leftist Millennial Jews. They have a similar political bent to Tsibele, but offer a punky, distinctly American take on klezmer protest music.”
Feature: The Sounds of Summer
“Add the hopeful uplift of a political anthem like ‘Bread and Roses’ to Brivele’s gorgeous vocal harmonies and the result is simply stunning.”
Review: “So many of these are my new favorite songs.”
“A new generation of Yiddish punk folk singing has arrived and it is really, really good.”
Review: “Each song is a well crafted journey.”
“There is so much expansive thought and acoustic creativity in this skhoyre, I will return to it endlessly for inspiration.” — Jenny Romaine
Review: “Brivele's gift is their ability to go between the dark and the light.”
“Brivele's gift as a band is their ability to go between the dark and the light, the serious and the witty, all with a deep sense of tradition, and abandon of tradition.” — Michael Winograd
Review: “Laughs and defiance. I love this record.”
“There is serious Yiddish song scholarship, serious musicianship, and gorgeous, spine-tingling harmonies here. And laughs, and defiance. I love this record.” — Geoff Berner
Review: “I know these are songs that will have long lives.”
“I know these are songs that will have long lives and many voices singing them into memory.” — Ozzy Irving Gold-Shapiro
Feature: A Beginner’s Guide to Modern Yiddish Music
“This self-described anti-fascist klezmer folk-punk trio in Seattle sounds like they could’ve fit in nicely on the Juno soundtrack somewhere between Vampire and The Moldy Peaches with their airy banjos and ukuleles.”